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작성자슬기 조회 29회 작성일 2021-04-10 11:12:11 댓글 0


The Best of Schumann

Robert Schumann (8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

In 1840, after a long and acrimonious legal battle with Wieck, who opposed the marriage, Schumann married Wieck's daughter Clara. Before their marriage, Clara—also a composer—had substantially supported her father through her considerable career as a pianist. Together, Clara and Robert encouraged, and maintained a close relationship with, German composer Johannes Brahms.

Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, many Lieder (songs for voice and piano). He composed four symphonies, one opera, and other orchestral, choral, and chamber works. His best-known works include Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication that he co-founded.

Schumann suffered from a mental disorder that first manifested in 1833 as a severe melancholic depressive episode—which recurred several times alternating with phases of "exaltation" and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted at his own request to a mental asylum in Endenich near Bonn. Diagnosed with psychotic melancholia, he died two years later at the age of 46 without recovering from his mental illness.

Robert Schumann

Peças de Fantasia, Op. 12
1. À Noitinha
2. Vôo
3. Por Quê?
4. Caprichos
5. De Noite
6. Fábula
7. Sonhos Turbulentos
8. Fim do Canto
9. Arabesque em Dó Maior, Op. 18

Cenas Infantis, Op. 15
10. De Povos e Terras Distantes
11. História Curiosa
12. Cabra-Cega
13. Criança Suplicante
14. Felicidade Perfeita
15. Grande Acontecimento
16. Devaneios
17. À Lareira
18. Cavaleiro do Cavalo-de-Pau
19. Quase Sério Demais
20. Meter Medo
21. Criança Dormindo
22. Fala o Poeta

Cenas da Floresta, Op. 82
23. Entrada
24. Flores Solitárias
25. Pássaro Profeta
26. Despedida

Royal Philharmonic Orchestra

For more:


Schumann The Great Piano Works Vol.1

Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw

This compilation includes some of Schumann's greatest piano works played by Wolfram Schmitt-Leonardy and Klára Würtz.

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Composer: Robert Schumann
Artists: Wolfram Schmitt-Leonardy, Klára Würtz

Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.

Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.

In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.

The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.

In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.

Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.

Tracklist can be found in the comments!

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Seong-Jin Cho - Schumann: Fantasiestücke, Op. 12

20180723 Recital in Verbier Festival 2018

0:38 - Des Abens 석양
4:07 - Aufschwung 비상
7:05 - Warum? 어찌하여?
9:45 - Grillen 변덕
13:02 - In der Nacht 밤에
17:01 - Fabel 우화
19:46 - Traumes Wirrin 꿈의 엇갈림
22:12 - Ende vom Lied 노래의 종말

Claude Debussy, Images, Book I
Robert Schumann, Fantasiestücke, Op. 12
Claude Debussy, Images, Book II
Frederic Chopin, Piano Sonata No. 3 in B Minor, Op. 58

Chopin 24 Prelude in B minor Op. 28 No. 6 (Encore)
Liszt Transcendental Étude No. 10 in F minor (Encore)




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